Any experienced focus puller also known as First Assistant Camera or 1st AC, won’t hold an opposing view of the fact that DSLRs already outweigh the pros of film camera on the production lines. And the admiration with which they’re released in addition to adopted is simply unbelievable.
Are you really concerned about all that obsession? What you’re looking to is receiving a phone call from a producer, grab the gig, make it to the set on time, and there you go – do what you’re proficient at – pulling focus. It hardly makes a difference what camera you choose to showcase your great talent.
There are three creative ways when adapted, make focus pullers survive in the digital cinema they’re so keen on. Well, these adaptations might seem like going for a walk in the park for you personally, but don’t you forget all of them will play their respective role in your path leading to an excellent career.
1. Comprehend Digital Procurement and Formats – There are a few focus pullers who’re getting into their journey leading to the planet of the digital cinematography at this moment. It creates suddenly so clear that they can undergo the proper training. Moreover, they will become proficient when operating an electronic camera.
Are you in this game for quite some time? Then it might not be the case. There are endless digital cameras that experienced a big change from the grass root level. For the reason that these cameras were put into action by productions with an unhealthy budget.
As time passed by, the format was adopted a high amount of prominent Hollywood productions. So, it indicates that there are several 1st ACs who have not much experience with digital. Their experience is almost next to none.
“In theory, there’s hardly any change in the work: Laying marks usually do not change, criticism still seems simple, and pulling focus is not smooth. But you have to comprehend a completely different group of technical information. Generally, you should grasp the basics of how image sensors operate, which cameras shoot the many file formats and a lot more.”
You always need to be prepared to cope with any problems (arising out of the blue). Maybe you won’t consider the notion of crack opening an electronic camera to fix it during a shoot, it’s important so you might understand how it functions on the inside.
A focus puller has to be the (go-to) technical person for several things regarding the camera.
Create a Sound Investment in Digital Specific Gear – The most obvious question people ask is what gear they should have within their toolkit. Well, it depends on which kind of a camera a person uses to shoot on.
P.S – The tools that are useful for a film camera seem unique of the ones being used for a digital camera. Needless to say, there’s overlap, but you must know that there’s gear that is specific to one format.
Here are some items which focus pullers have in their bags which are stringently used in digital productions:
Audio Cables and Adapters
USB Lens Light
MEMORY Readers (SD and CF)
Well, it’s good to know information that none of the above-listed items are crucial on a film set, but they’re good things to have (just in case).
Looking to continue steadily to work in this industry? Then you’ll have to make investments in the types of tools you need that can be used for digital cameras specifically.
3. No Need to Work with More Rehearsal Time – More likely to criticize me for this one? dcp distribution Remember that I’m working for you no matter what. Not only do rehearsals play an essential role for focus pullers but they’re also essential to film crew. When you practice a shot, it not only helps you set up a flow but fix mistakes as well. Not only that, it’ll also help you shorten the time actually spent when shooting.
Ed Colman, an exceptionally talented cinematographer, once said: “When you are told to ‘shoot the rehearsal’ it isn’t a rehearsal anymore.” However the undeniable truth (sounding unfortunate) is that rehearsals have become a priceless entity.
With digital camera models, both directors and assistant directors feel there is no harm when it comes to rolling on the rehearsals. Even producers think alike. So when the rehearsals are increasingly being rolled on by these experts, they want to record it.
Gets the footage been thrown in for being shot? Has the slate been clapped? Well, you’re pretty much taking a plunge straight into Take One whatever you call it.
Want to sustain your existence in this industry for long? Then you have to make certain you pick up all you need. You should even figure out how to cope with the added pressure without rehearsals. However, you will see a constant need for rehearsals for certain shots. And you will see times when you can have one.
Don’t forget that almost always there is be a desirable dependence on Focus Pullers or First Assistant Camera, and crew who’s well alert to the technical side of the camera are designed for it without hassles.
In the end, it’s you who has to judge how you’ll adapt yourself to the ever-changing industry.